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Tag Archives: authentic vintage hermes
The Enchanted world of VALÉRIE Dawlat Dumoulin after HERMÈS
Since I wrote a short biography about Valérie Dawlat Dumoulin in my post in May of 2018, I have had the distinct pleasure to make her acquaintance!
As a longtime fan, you can only imagine my delight and how honored I felt having received an email from her! And with that a wonderful relationship began.
In her own words …
« When I discovered Carrés de Paris on the Internet, I was so surprised and delighted to read the chapter on my work as a carré artist, that I decided to come in contact with the founder of this lovely and well documented website.
That is how our relationship came to life, with a mutual understanding and taste for the same HERMÈS vintage carrés.
Unfortunately, at the dramatic departure of Jean-Louis Dumas, Hermès emblematic and charismatic CEO, my ten years collaboration was soon over.
I explain to Carrés de Paris, that I was still creating but in a different way : I am, since almost two years, inventing and manufacturing custom jewellery and Carrés de Paris loved them so much that a decision was taken to give them exposure on their website.
I proposed to associate visually my vintage carrés designs that are for sale at Carrés de Paris to one of my jewels, and voilà, « just like that », that is how it is all started, how exciting !!! »
Valérie Dawlat Dumoulin
Here is an introduction to the enchanted world of Madame Valérie … enjoy
AVAILABLE
AVAILABLE
Always an artist, Valérie has created numerous collages and paintings, but more recently discovered a new passion in creating custom jewelry. At first she salvaged and repurposed all of her own jewelry, and as popularity of her one-of-a-kind jewelry grew in her native France, she began to search for unique vintage bits and pieces at flea markets and thrift shops. Self-taught and with an exquisite eye for both beauty and design, she as with her Hermès scarf designs drew her inspiration from flowers, insects, eternal symbols like hearts and crosses, the sea and marine life. She skillfully combines unexpected items with copper wire and magically gives new life to butterflies, flowers and dragonflies!
Merci Mme Valérie de continuer à enrichir notre monde avec de nouvelles créations et une beauté époustouflante.
Ladi
L’Arriere-Main Hermes carre
The lovely L’Arriere-Main Philippe Ledoux carré draws its inspiration from a painting by Théodore Géricault entitled Les Croupes, (The Hindquarters/Buttocks).
Most likely the studies for this painting found their inspiration at the Royal Stable, the Grande Écurie of Versailles, an impressive structure that could accommodate up to six hundred horses. Constructed during the 17th century under the watchful eye of Jules Hardouin-Mansart, the Royal Stables have been home to the Equestrian Arts Academy (Académie du spectacle équestre) since 2003.
Les Croupes, which portrays twenty-four horses from behind is rather an unusual compositions as it features the hindquarters and not the heads of twenty-four horses in three neat rows. Surprisingly there is one defiant horse that stands out as it is turned around facing us, the audience. I cannot help but attribute lightness and humor to this rather unusual arrangement and composition.
Perhaps charmed by this as well was what inspired Philippe Ledoux to reproduce the Les Coupes as a drawing for his 1969, L’Arriere-Main, now highly sought-after design.
Surprisingly Monsieur Ledoux omits the rebellious horse in his drawing but includes the same checkered blankets that are very often found in Géricault’s other paintings. Perhaps it will remain a mystery why Ledoux left the defiant horse out, but included the horse blankets, which undoubtedly link his design to the French master’s. With this the L’Arriere-Main Hermès carré features three rows but only twenty-three hindquarters and not the twenty-four from its original Inspiration.
LE TIMBALIER HERMES SCARF BY MARIE-FRANCOISE HERON
I used to belong to the “rest … well” group. Even as a lover of macrame during me teen years, and as a lifelong crocheter and knitter, I just could not embrace this design.
Perhaps it was the lack of symmetry and repetition that somehow prevented me from appreciating this 1961 Marie-Françoise Héron design.
But looking at it through a different lens, the lens of possibilities, I can finally see and appreciate the beauty of Madame Héron’s timpanist.
The Le Timbalier Hermès carre is gorgeous whether in bold colors or this season’s soft pastels. The suggested textures add to its versatility and culminate in a fabulous scarf and accessory. One that lends itself to be draped and played with in so many creative ways, each time offering a new fresh look.
Well Hermès decided to re-issue it this season in various colorways and at $470 it has been flying off the shelves and is currently only available in selected boutiques and no longer online.
But do not despair! You can find a 1990s issue in pristine unworn condition at our eBoutique, Carre de Paris © .
Here is what Hermès© has to say about the Inspiration for this truly iconic Hermès Classic:
Until the end of the Second Empire, the role of the timpanist was to provide the drum beat for French cavalry regiments. The drummer in full dress featured in the center of this scarf, designed in 1961 by Marie-Françoise Héron, plays his instrument with panache. The royal coat of arms with two interlaced L’s seen on his drum evokes the 18th century. The horse, too, is exuberantly dressed. The ceremonial saddle and bridle, like the surround, are ornamented with sumptuous decorative trimmings: lanyards, braids, fringes and twisted cords, not forgetting cartisanes – wooden discs adorned with silver, gold or silk threads.
© Hermès 2022. All rights reserved
Auteuil en Mai HERMES Rare Silk Scarf by Carl de Parcevaux 1997
Auteuil en Mai, Auteuil in May, pays tribute to the Grand Steeple-Chase de Paris run at the Auteuil Racecourse, an 82 acre horse racing facility, specifically designed for steeplechase and in operation since 1874.
The Grand Steeple-Chase de Paris takes place in late May and is the richest, most prestigious and also the most difficult jumps race not only in France but the world. Only the best jockeys and their steeds compete here and must overcome the 23 obstacles over a 3.75 mile course, home to two of the most difficult jumps in the world.
Auteuil, today part of Auteuil-Neuilly-Passy, is adjacent to the famous Bois de Boulogne Park (the inspiration for one of Hugo Grygkar‘s scarves). As the 16th and possibly the richest of all the Parisian arrondissements, it is also home to the “other” Statue of Liberty.
map copyright of GOOGLE
Carl de Parcevaux, who has brought us other favorites such as Chasse au Bois and Christophe Colombe , has created a rare and highly sought after carre.
At the center is the racecourse with its stands in the distance, surrounded by various vignettes celebrating this famous venue and its prestigious race.
Designed by Carl de Parcevaux in 1997
Les Tuileries meets Animaux Solaires
Do you sometimes find yourself having a hard time choosing between two scarves?
Standing in front of the mirror, you ask, “Does this one look better? How about this one? Which one shall I wear today?”
Well, I say, why not wear both…
Les Tuileries + Animaux Solaires = Fantastique!
Joachim Metz’ Les Tuileries paired with Animaux Solaires by Zoe Pauwels
I. A. Kwumi Sefidin or I. A. Kwumi Sefedin or?
Feux du Ciel HERMES
Correction 5/14/2018
Just picked up a Le Monde d’Hermes I from 2000 and see that Hermes refers to the artist as Sefedine Ibrahim Alamin.
Revision 12/17/2016:
In search of more information about the artist behind the Feux du Ciel, which I am about to list I came across this wonderful information about the artist on Worthpoint, that I had to include here:
This beautiful scarf is by artist Sefedine Ibrahim Alamin (Kwumi).
“After his parents were killed in 1997, during a civil war, a then-14-year-old Sudanese boy named Sefedin found his way to a base camp for Doctors Without Borders, which placed him in a school for orphans. While there, drew colourful chalk sketches of African landscapes, which eventually landed on the desk of Jean-Louis Dumas. Dumas, the now-retired chief executive of Hermès, had previously visited the school and asked the teachers to send him the work of any promising young artists. Dumas hired Sefedin to design for Hermes. He created six different styles “This boy was born during the war and saw nothing but death around him, but all of his designs are very peaceful,”.
This amazing “Feux du Ciel” Fire of Heavens scarf will be enjoyed for years to come! Colorful swirls of orange, green, yellow, pink, black and red and blue cover the pastel pink night sky! Yellow and white stars are also found in the sky.
Signed at the bottom Kwumi Sefedin, Hermes, Paris.
This is a limited edition scarf, comes with its Hermes box and the Le Carre Hermes Autumn-Winter 2008 Catalog.
Mint condition!
Measurements: 36″ x 35″
HEAVENS OF HERMES!
Courtesy: WorthPoint© 2016 – WorthPoint Corporation | 5 Concourse Parkway NE, Suite 2850. Atlanta, Georgia 30328 | 877.481.5750
Original post 10/22/2015:
I was just getting ready to reduce the price on the fabulous Hermès Smiles in Third Millenary silk scarf, when I discovered, that I had spelled this young African artist’s last name with an “i” rather than an “e” as in Sefidin rather than the correct way, SEFEDIN.
An easy way to find out, is to simply look at the scarf itself, where the signature, obviously shows an “e” rather than and “i”. So why the mistake? I refer to the Carres d’art by Genevieve Fontan many times to confirm first issue dates, and must have done so when I listed this fabulous carre for sale. Assuming that Ms Fontan would not get the artist’s name wrong, I copied it from her source. But just now, when I re-shot some of the photos in order to capture all the fabulous colors of this scarf, I noticed, to my embarrassment, that I had spelled the artist’s name wrong.
My sincere apologies –
May I present Smiles in Third Millenary by I.A. Kwumi Sefedin
The unusual and highly popular Hermès Smiles in Third Millenary carré was designed by I. A. Kwumi Sefedin and first issued in 2000.
The colors on this scarf are absolutely gorgeous and include the entire color spectrum making it an extremely versatile scarf and accessory.
Scarf drapes beautifully and depending on how you tie it or wear it, you can decide which colors you would like to showcase, making this a very versatile carre.
The perfect addition to your wardrobe or the perfect gift.
- in excellent pre-owned condition
- wonderfully soft silk
- copyright
- care tag
- signed
- plump hand rolled hem
- approx. size: 36 x 36 inches or 90 x 90 cm
- made in France
- 100% silk
- guaranteed authentic
– HERMES scarf box may show some signs of use - layaway plans tailored to Your specific needs
- subject to prior sale
Was $429 NOW $349
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- Smiles in the Third Millenary, I. A. Kwumi Sefedin, 2000
Les Tuileries by Joachim Metz for the Maison Hermes
Here is one of my all time favorite Hermes scarves, Les Tuileries by Joachim Metz, named after the famous Parisian Gardens leading up to the Louvre.
Last time I was in Paris, a couple of summers ago, I fell in love not just with Paris all over again, but with this stunning part of heaven. No wonder Mr. Metz used the elaborate entry to the gardens as inspiration for his stunning scarf.
Now available at Carredeparis.com
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- Les Tuileries Entrance, Paris
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- Mercury riding Pegasus near the west entrance
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- Entrance to Les Tuileries in Paris, France
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- Les Tuileries, J. Mezt, Hermes . Mercury riding Pegasus
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- Les Tuileries, Mezt, 1990
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- Les Tuileries, J. Mezt, Hermes. Detail
Les Tuileries HERMES Scarf
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