Les Muserolles Hermès Carré – Inspiration

Les Muserolles Hermès carré by Christiane Vauzelles (1986)
Les Muserolles Hermès carré by Christiane Vauzelles (1986)

The Les Muserolles Hermès carré, The Nosebands literal translation, was designed by Christiane Vauzelles in 1986.

But what is this scarf with a knight all about? And what are “nosebands” anyway?

Of course as a non-rider, I do not know the answer, so I have to dig a little … and thanks to Google and Wikipedia, I learn that a noseband is the leather part that goes across a horse’s nose and part of what makes up a bridle; now I did at least know what a bridle is.

I learn that a noseband accomplishes a couple of things: it keeps the horse from opening its mouth, but perhaps more importantly, it gives the rider more control, which of course is imperative.

 noseband on a horse photo
Photo courtesy http://www.horze.eu – all right reserved

It is believed that it was the noseband, also known as the cavesson or caveson, that was first invented and used as a “tool” to control a wild horse. And thus it predates the bridle and its other components, like the browband, bits, etc..

The Les Muserolles design, however, unlike its literal translation might suggest, was not per se inspired by the cavesson, but of course the metal horse muzzles so beautifully represented on this scarf by Madam Vauzelles.

Les Muserolles Hermès carré by Christiane Vauzelles (1986)
Les Muserolles Hermès carré (1986) in a fresh blue/white/gold col.

Metal muzzles were typically used by knights during the Middle Ages when the horse was an important and powerful “war machine” as Hermès© put it in the Mito e Belleza.

These metal muzzles protected the horse from injury during yes, war, and dangerous tournaments like jousting.

Les Muserolles Hermès carré by Christiane Vauzelles close up
The artist’s version of one such muzzle as inspired by 16th century German metal muzzles now part of the Émile Hermès Museum (see previous post)

photos courtesy Hermès© Mito e Belleza


Les Muserolles Hermès carré by Christiane Vauzelles in light blue
Les Muserolles Hermès carré – SOLD

The Les Muserolles Hermès carré is in my opinion quite gorgeous as its beauty lies in its “open” and uncluttered composition lending this scarf a light and airy quality …

The Les Muserolles will add just the right amount of interest and color without being overpowering, overbearing …

Les Muserolles Hermès carré on mannequin

Les Muserolles Hermès carré in bold red & black

Les Muserolles Hermès carré on mannequin
Les Muserolles Hermès carré by Christiane Vauzelles (1986)


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3 thoughts on “Les Muserolles Hermès Carré – Inspiration

  1. Carre de Paris

    Did Christiane Vauzelles Sign Her Hermès Scarves?
    A common question I am asked is whether a particular Hermès scarf might bear the artist’s signature. When it comes to the prolific and beloved artist Christiane Vauzelles, the answer is often no, she typically did not sign her work in the conventional sense.

    However, her iconic Châteaux-Jardins, also known as the Les Jardins de Versailles Hermès Carré is an exception. While you won’t find a traditional signature, this particular design does prominently feature her name. This unique inclusion makes it stand out among her extensive body of work.

    For those curious about the inspiration and artistic vision behind the Châteaux-Jardins design, you can explore a dedicated blog post on this topic by searching our site or Browse the archives.

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